Nineteenth-Century Theatre and the Imperial Encounter Infinitives Ciara Smyth identifies the attributes

Ciara Smyth identifies the attributes of the rights of the child that are most relevant to the asylum context and systematically examines whether and to what extent those attributes are reflected in the CEAS legislation

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it cannot replace it

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In contrast to previous scholarship

Nineteenth-Century Theatre and the Imperial Encounter Infinitives Ciara Smyth identifies the attributesIn this study, Gould argues that it was in the imperial capitals theatrical venues that the public was put into contact with the places and peoples of empire. Plays and similar forms of spectacle offered Victorian audiences the illusion of unmediated access to the imperial periphery; separated from the action by only the thin shadow of the proscenium arch, theatrical audiences observed cross cultural contact in action. But without narrative direction